2024 礙人 （Dis)able Lover

 （Dis)able Lover

Director/Creator: Chen Yi-Chun

Performer/Co-creator: Hsu Chia-Feng

Live Music: Tseng Po-Hao

Stage/Costume Design: Sun Chia-Hsuan

Creative Consultant: Ho I-Lien

Rehearsal Assistant: Hsiao Tze-Yang

《礙人》

編導：陳宜君

共同創作/表演者：許家峰

音樂設計/演出：大恭

服裝/舞台設計：孫佳暄

排練助理：蕭澤洋

This work was first explored in 2024 as part of the residency program at the Kaohsiung Literary Museum, where it experimented with non-visual creative choreography. Through the fusion of literature and movement, the dance creation extended into an exploration of the desires and sensuality of LGBTQ+ individuals and people with disabilities, intertwining the bodily experiences of both sighted and visually impaired performers to weave together non-visual body languages through the five senses.

By selecting excerpts from the text, the performance navigates the inner and outer emotional

landscapes of visually impaired performers as they interact with people, sounds, objects, and

the environment, reflecting the hidden and intertwined connections between disability and

gender. This collaboration between sighted and blind performers also hopes to inspire further

exploration of non-visual bodily imagery in future performances.

藉由高雄在地作家孫梓評的長篇小說《男身》為創作架構，透過明盲者的身體經驗串起五感中的非視覺身體語彙。小說中的文句節選、視障表演者與人、與聲、與物、與環境中的裡外心境往返，照見出障礙與性別間的隱密與相通，也期許此次的明盲共創開啟後續的非視覺表演的身體意象。

家峰：哈囉我是家峰，也是一名中途全盲的視障者，失去視力也十多年了，在這些年中也觀賞不少跟障礙議題有關的表演節目，不過鮮少會有表演會討論障礙者的情感、情慾等議題。於是在這次《礙人》創作表演，與同為共創者的陳宜君(君君)，兩人討論著墨如何藉由我個人的情感、情慾的生命經驗，結合孫梓評作家《男身》的小說，以及君君的編舞、身體語彙的整合等，透過這次《礙人》的表演，讓觀者看見或感受到視障者情感、情慾的表現，我們也希望透過此次表演的型式去延展未來非視覺舞蹈的可能性。